I mostly stream my music since I get tiered of the tunes quickly, I prefer variation and I care even less about concerts. In case they can not survive on the revenue they will have to get a normal work like everybody else! I do not feel like there revenue stream is my problem to be honest.<br>
<br><div><br></div><div>- Nicolas</div><div> PPI / PPSE member</div><div><br></div><div><br><div class="gmail_quote">On Thu, Oct 29, 2009 at 10:07 AM, Christian Hufgard <span dir="ltr"><<a href="mailto:pp@christian-hufgard.de">pp@christian-hufgard.de</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><div class="im"><br>
Félix Robles wrote:<br>
> Do you mean that music engineers and producers work for free at first and<br>
> are only paid after they start to sell copies of the album? I don't think<br>
> so.<br>
<br>
</div>No. But they do not get paied anymore, if people stop buying copies of<br>
music. Crosspromoting music recordings with live converts does not pay off<br>
- unless you are at the top of the charts.<br>
<div class="im"><br>
<br>
> Normally, when I download music, I download the whole discography. And if<br>
> I like them and they come to visit us I go to their concert. Then they<br>
> earn enough money to pay the producers of their next album.<br>
<br>
</div>And you really believe, that visiting a single concert can fully<br>
compensate downloading the whole discography?<br>
<font color="#888888"><br>
<br>
Christian<br>
</font><div><div></div><div class="h5"><br>
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